1884
Apollo and muses to the rescue

Rafaello Morghen, Apollo and Muses, 1784, monochromatic print, collection of the Polish National Library.
Rafaello Morghen, Apollo and Muses, 1784, monochromatic print, collection of the Polish National Library. Polychrome over the stage arch in the Makowski Theatre is likely to have looked alike.

The late 19th century was a time of prosperity for Lublin. The increasingly affluent townspeople sought appropriate cultural offerings and adequate standards of entertainment venues. To stave off the decision of the city authorities to construct a new theatre in Lublin, Romuald Makowski embarked on an extensive renovation of the Old Theatre’s interior. Gas lighting was installed, acoustics were improved with a false-vault ceiling, one level of box compartments was removed, while the remaining ones were “prettified” and separated with a decorative balustrade; the interior was oil painted in maroon, a new curtain was ordered, and a relatively decent painter “returning from Petersburg” (a considerable endorsement) was persuaded to decorate the ceiling with images of four muses: Erato, Melpomene, Thalia, and Terpsichore. Their leader, Apollo, was pictured above the proscenium arc with a lyre in his hand.

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